"Braille Tattoo"
Ideas issue of the New York Times Magazine, December 2007
"Arnold Odermatt: On Duty"
The Believer, December/January 2007 (about a Swiss police officer who photographed car accidents on the roads of Niwalden Canton for 40 years)
"Air-Index Impressionism"
Ideas issue of the New York Times Magazine, December 2006
"The Comb That Listens"
Ideas issue of the New York Times Magazine, December 2006
"Trust Spray" and "The False-Memory Diet,"
Ideas issue of the New York Times Magazine, December 2005
Voodoo Heart: Stories
by Scott Snyder, The Believer, June 2006
The Dead Fish Museum
by Charles D'Ambrosio, The Believer, May 2006
“Questions For Jhumpa Lahiri”
The New York Times Magazine, September 2003 (Pulitzer Prize-winning author of Interpreter of Maladies and The Namesake)
“Oldest Living Surrealist Tells All: A Conversation With Dorothea Tanning”
Salon.com, February 2002 (core member of Surrealist movement, painter, poet, wife of Max Ernst and author of Between Lives: An Artist and Her World)
A Supposedly True Thing or Two: An Interview with David Foster Wallace
Time Out New York, January 1997 (on publicaton of A Supposedly Fun Thing I’ll Never Do Again)
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I’ve Been Very Bad

By John Glassie (The New York Times Magazine, October 1997)

It's no secret that the confessional writing trend -- sparked by memoirs like ''The Kiss,'' Kathryn Harrison's story of her sexual affair with her father -- is giving many writers the opportunity to bring the skeletons out from their closets.

Now, with the publication of ''Close to the Bone: Memoirs of Hurt, Rage and Desire'' from Grove Press, the literary form has soared to new heights -- or, depending on your point of view, plunged to new depths. Among the anthology's eight nonfiction tales are accounts of whipping, homeless crack addiction and incest between a brother and sister.

''We are in a moment in the cultural conversation when there has been a kind of disinhibiting about what we are permitted to say publicly,'' says Laurie Stone, the book's editor, whose own contribution, ''Hump,'' recalls the way she ''confused sadomasochistic sex with love-ability and acceptability.''

The most startling piece is by a 17-year-old boy writing under the pseudonym Terminator. Raised by a mother who abused him for not being a girl, Terminator writes about his hell amid the trailer parks of Southern California. In his memoir, ''Baby Doll,'' he dresses in drag and, as a preadolescent, seduces his abusive mother's boyfriend: ''He covers my face in hard, hungry kisses, coating me in the film of his beer-fogged mouth.''

How to evaluate his work? ''It's some of the most powerful writing I have ever read,'' says Karen Rinaldi, an editor at Crown Publishers, which will release an all-Terminator book in 1999. ''It has a beauty that seems divinely inspired.''

Terminator himself was not available to comment. ''He's too young,'' says Stone, ''for interaction with the media.''